Rhiannon Piper is a paintings conservator with experience in the treatment of traditional and modern paintings, as well as frames and three-dimensional decorative objects. Her practice is grounded in detailed technical examination and careful ethical decision-making, with a focus on stabilisation and the long-term preservation of each work’s material and cultural value.

She is trained in easel painting conservation, with additional training in conservation science that informs her understanding of materials, deterioration processes, and appropriate treatment strategies. This scientific foundation supports a considered approach to treatment and preventive care, particularly where long-term stability is a primary concern.

Her experience across paintings, frames, and associated objects allows her to approach complex works as integrated material and historical systems rather than isolated components. This cross-disciplinary perspective informs both her structural and aesthetic decisions, particularly where paintings and their original or historic frames form a single interpretive unit.